Las óleos de todo Hans Baldung Grien

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1872

Portrait of a Man 6

National Gallery, London

92384

Adam und Eva

Date c. 1525(1525) Medium oil on panel Dimensions Deutsch: je 208 X 83,5 cm TTD

56698

allegories of music and prudence

mk247 1529,paint on pine panels,32x14 in,83x36 cm,alte pinakothek,munich,germany

58223

Beheading of St Dorothea by Baldung

Beheading of St Dorothea by Baldung, 1516

30227

Details of The Three Stages of Life,with Death

nn05 first steps

30228

Details of The Three Stages of Life,with Death

nn05 Beauty keeps her secret

30229

Details of The Three Stages of Life,with Death

nn05 The Body becomes a burden

30231

Details of The Three Stages of Life,with Death

nn05 Dancing to Death

92456

Die Lebensalter und der Tod

Medium oil on panel Dimensions 150.9 X 50.8 cm (59.4 X 20 in) TTD

67817

Die sieben Lebensalter des Weibes

Year 1544(1544) Technique Oil on panel Dimensions 97 x 74 cm (38.19 x 29.13 in)

75775

Eve, Serpent and Death

1512 Oil on panel cjr

88510

Knight, Death and girl

1. Viertel 16. Jahrhundert Oil on wood Dimensions 35,5 x 29,6 cm cjr

96153

Madonna mit den Papageien

1527-1528 Medium oil on panel cyf

92124

Markgraf Christoph I

1509/10 Medium oil on canvas cyf

69165

merkurius

1530 olja på trä 194x64 se

52008

Mucius Scaevola

153 Lime wood, 98 x 68 cm

87708

Music

1529(1529) Medium Oil on pine panel cyf

42955

Mystic Pieta

mk170 1512 Oil on oak 112.9x88.9cm

1875

Nativity

1520 Pinakothek, Munich

40323

Nativity

mk156 1520 Oil on panel 105.5x70.4cm

83582

Nativity

Date 1520(1520) Medium Oil on wood Dimensions Height: 105.5 cm (41.5 in). Width: 70.4 cm (27.7 in). cjr

87415

Nativity

1520(1520) Medium Oil on wood cyf

97255

Nativity

1520(1520) Medium oil on panel cyf

78818

Portrait of a Lady

1530 Oil on panel Width: 52.5 cm (20.7 in). Height: 69.2 cm (27.2 in). cjr

82734

Portrait of a Man

1514(1514) Medium Oil on linden Dimensions 59.3 x 48.9 cm (23.3 x 19.3 in) cyf

96946

Portrait of a Man

1514(1514) Medium oil on linden wood cyf

87789

Portrait of Ambroise ( or Ambrosius ) Volmar Keller

Date 1538(1538) Medium Oil on linden cjr

52009

Portrait of Ambroise Volmar Keller

1538 Oil on lime panel

1873

Prudence

1529 Pinakothek, Munich

87707

Prudence

1529(1529) Medium Oil on pine panel Dimensions Height: 83 cm (32.7 in). Width: 36 cm (14.2 in). cyf

1871

Pyramus and Thisbe

1530 Gemaldegalerie, Berlin

75136

Pyramus und Thisbe

c. 1530-1531 92,6 X 66,7 cm cjr

32595

Recreation by our Gallery

mk79 About 1527

83593

Rest on the Flight to Egypt

Date ca. 1514(1514) Medium Oil on wood Dimensions Height: 48.5 cm (19.1 in). Width: 38.6 cm (15.2 in). cjr

87421

Rest on the Flight to Egypt

1514(1514) Medium Oil on wood cyf

1876

Sacred and Profane Love

Stadel Institut, Frankfurt

1874

Saint John on Patmos

1511 Metropolitan Museum of Art, New York

52003

St Sebastian Altarpiece

1507 Oil on wood, 121,2 x 78,6 cm

89175

The Crucifixion of Christ

1512(1512) Medium oil on basswood Dimensions Height: 151 cm (59.4 in). Width: 104 cm (40.9 in). cjr

86518

The Knight

. 1505(1505) Medium Oil on wood cyf

40284

The Knight the Young Girl and Death

mk156 c.1505 Oil on panel 355x296cm

20234

The Knight the Young Girl and Death (mk05)

Wood,14 1/4 x 12''(36 x 30 cm).Acquired in 1924

21364

The Nativity (mk08)

1520 Oil on wood, 105.5x70.4cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

28730

The Three Ages and Death

mk61 Oil on panel 151x61cm

98263

The Three Graces

1541-1544 Medium oil on board Dimensions 151 x 61 cm cyf

30225

The Three Stages of Life,with Death

nn05 c.1510 Strange quartet

86997

The Trinity and Mystic Pieta

Medium Oil on oak Dimensions Height: 112.3 cm (44.2 in). Width: 89.1 cm (35.1 in). cjr

91721

The Trinity and Mystic Pieta

oil on oak Dimensions Height: 112.3 cm (44.2 in). Width: 89.1 cm (35.1 in). cyf

94711

Three Ages of Man and Death

Circa 1510 Type Oil on canvas Dimensions 151 cm x 61 cm (59 in x 24 in) cyf

84862

Three Ages of the Woman and the Death

Date 1510(1510) Medium Oil on linden Dimensions Height: 48 cm (18.9 in). Width: 32.5 cm (12.8 in). cjr

88724

Three Ages of the Woman and the Death

1510(1510) Medium Oil on linden cyf

58224

Three Ages of Woman and Death 1510

Three Ages of Woman and Death 1510 Oil on limewood,48 x 32,5 cm Kunsthistorisches Museum, Vienna

86519

Virgin and Child in a Room

1516(1516) Medium Oil on wood Dimensions Height: 47.9 cm (18.9 in). Width: 36.6 cm (14.4 in). cyf

40342

Virgin and Child with Parrots

mk156 c.1527 Oil on panel 91x63.2cm

52007

Virgin of the Vine Trellis

58225

Witch and Dragon

Witch and Dragon. Drawing with bodycolour (b/w repro)

Hans Baldung Grien

German 1485-1545 Hans Baldung Grien Galleries The earliest pictures assigned to him by some are altar-pieces with the monogram H. B. interlaced, and the date of 1496, in the monastery chapel of Lichtenthal near Baden-Baden. Another early work is a portrait of the emperor Maximilian, drawn in 1501 on a leaf of a sketch-book now in the print-room at Karlsruhe. "The Martyrdom of St Sebastian and the Epiphany" (Berlin Museum), fruits of his labour in 1507, were painted for the market-church of Halle in Saxony. Baldung's prints, though D??reresque, are very individual in style, and often in subject. They show little direct Italian influence. His paintings are less important than his prints. He worked mainly in woodcut, although he made six engravings, one very fine. He joined in the fashion for chiaroscuro woodcuts, adding a tone block to a woodcut of 1510.[1] Most of his hundreds of woodcuts were commissioned for books, as was usual at the time; his "single-leaf" woodcuts (ie prints not for book illustration) are fewer than 100, though no two catalogues agree as to the exact number. He was extremely interested in witches and made many images of them in different media, including several very beautiful drawings finished with bodycolour, which are more erotic than his treatments in other techniques. Witch and Dragon. Drawing with bodycolour (b/w repro)Without absolute correctness as a draughtsman, his conception of human form is often very unpleasant, whilst a questionable taste is shown in ornament equally profuse and baroque. Nothing is more remarkable in his pictures than the pug-like shape of the faces, unless we except the coarseness of the extremities. No trace is apparent of any feeling for atmosphere or light and shade. Though Gr??n has been commonly called the Correggio of the north, his compositions are a curious medley of glaring and heterogeneous colours, in which pure black is contrasted with pale yellow, dirty grey, impure red and glowing green. Flesh is a mere glaze under which the features are indicated by lines. (1911) His works are mainly interesting because of the wild and fantastic strength which some of them display. His Eve, the Serpent and Death (National Museum of Canada) shows his strengths well. We may pass lightly over the "Epiphany" of 1507, the "Crucifixion" of 1512, or the "Stoning of Stephen" of 1522, in the Berlin Museum. There is some force in the "Dance of Death" of 1517, in the museum of Basel, or the Madonna of 1530, in the Liechtenstein Gallery at Vienna. Gr??n's best effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power which Martin Schongauer bequeathed to the Swabian school. As a portrait painter he is well known. He drew the likeness of Charles V, as well as that of Maximilian; and his bust of Margrave Philip in the Munich Gallery tells us that he was connected with the reigning family of Baden, as early as 1514. At a later period he had sittings from Margrave Christopher of Baden, Ottilia his wife, and all their children, and the picture containing these portraits is still in the grand-ducal gallery at Karlsruhe. Like D??rer and Cranach, Gr??n became a hearty supporter of the Reformation. He was present at the diet of Augsburg in 1518, and one of his woodcuts represents Luther under the protection of the Holy Ghost, which hovers over him in the shape of a dove.

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